... Rather than being stuck here crushed together under ground with a sour-looking woman who insists on trying to put her bags on my feet. I've said it before etc., but the quicker I get out of this hell, the better.
Methuselah's Children Part 2 - Robert A. Heinlein, from a recent BBC Radio 7 adaptation, ripped from the stream with Roemer Software's Hi-Q Recorder
Next, some Rock/Pop. Basically if it's not quite Rock (e.g. it feels too 'light') but hasn't quite reached the depths of 'Pop', it ends up here.
Western High - Captain
N.L. - Notwist
Weathered Wall - David Sylvian
That's What They Always Say - Chris Rea
Southbound Again - Dire Straits
Promenade - Trevor Rabin, from the pre-Yes 90124 CD,
All The Midnights In The World - Prince. I seem to be the only person in the world who finds Prince, and this album in particular, banal.
Tell Me Why - Genesis. Speaking of banal,
Texas - Chris Rea
Trombone Dixie - The Beach Boys
James And The Cold Gun - Kate Bush
Would You Feel My Love - Trevor Rabin
Raw Ramp - T.Rex
Hold On (Demo) - Trevor Rabin. It's clear that other members of Yes had very little creative input into the 90125 album, especially (and disappointingly) Chris Squire. Still, the addition of some AOR radio-friendly input helped this band immensely,
Welcome To The Room, Sara - Fleetwood Mac. ditto here,
Praise - David Sylvian. Just gorgeous,
Family Man - Fleetwood Mac
Today's Metro reported some research on how music affects your mood and how 'sad' music doesn't necessarily make you sad. Very interesting stuff, although today's music selection was a bit average.
So that's it then. Almost Friday, and more Baker and Kelly. And a trip to God's Own County at the weekend to see family.
T - 1.5; M - 3; D - 1.5
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2 comments:
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